Nikon has opted not to include a touchscreen on this model, which is priced at £165/US$179.95 (around AU$241), sitting comfortably in the mid range area of the market alongside the likes of the Canon IXUS 140 and the Panasonic SZ9.With a pleasing weight once the battery is inserted, the Nikon S5200 fits easily into the hand and most of the buttons are easily accessible with a thumb, although some of the lower ones are a little tricky to reach when using the camera one-handed.
All of the controls apart from the shutter release are situated on the back of the S5200, with the majority of the space being taken up by the 3-inch LCD screen. This is not a camera that feels cheap or flimsy – the casing feels sturdy, well built and durable. It’s also compact enough to fit easily in a pocket, enabling quick and easy shooting on the go.
Offering four shooting modes – Auto, Scene (with 20 modes available within), Special Effects and Smart Portrait – the Nikon S5200 is limited in its manual controls. Sensitivity, exposure compensation and white balance are adjustable in Auto mode, but there are no options to change shutter speed or aperture.
There are, however, a variety of in-camera editing options available, including Glamour Retouch as well as the Special Effects mode, which has a range of digital filters including two toy camera modes, high contrast and a number of selective colour options.
Video recording gives the choice of capturing footage from Full HD 1080p down to VGA, with single and full time autofocus modes as well as a wind noise reduction feature.
Build quality and handling
On the whole, the options adjusting the shooting parameters are limited – in Smart Portrait, for example, exposure compensation is the only adjustable element from the options on the four-way control pad.
The menu accessed via the button under this pad enables skin softening settings, smile timer and blink proof modes to be activated, but sensitivity and white balance are unadjustable.
Smart Portrait mode works reasonably well, taking several photos and then picking the best shot. It also uses the indicator light on the front of the camera, which flashes when you’re smiling enough – a useful addition if you’re using it to take self portraits.
One of the charms of the Nikon Coolpix S5200 is the option to charge the battery in-camera, which means not having to worry about losing the charger cradle, as well as being able to charge when the camera is plugged into any computer. This makes it an ideal camera to take travelling, since it requires very little paraphernalia and the lead is compatible with a range of plugs and devices.
Nikon has added five new Glamour Retouch modes to the S5200, bringing the total available up to eight. They range from the useful Whiten Eyes to the slightly disturbing Small Face and Big Eyes.
These effects can’t be applied to photos that are taken in Smart Portrait mode, which seems unusual because they’re obviously going to be most useful for portraits of people. It’s a nice set of options to have but the edits can be a little clumsy and aren’t likely to replace even the most basic of editing software available off the camera.
Marketed with easy to use inbuilt Wi-Fi technology, in reality it was a little tricky and time consuming to get the Nikon Coolpix S5200 to connect to our wireless internet, for ultimately little reward. The in-camera help is non existent for this feature, so make sure you have your manual to hand if you try it.
You can connect the camera to a smartphone or tablet (once a free app has been downloaded) and then take photos with the camera via the smartphone, enabling it to act as a remote. The photos are then stored in the app as well as in the camera, so you can upload them straight to social media sites if you wish. If you don’t have a smartphone or tablet then you’re out of luck, since this feature doesn’t work with laptops or computers.
Although remote shooting is an neat function in theory, but it’s difficult to think of a situation in reality where you would need to use it regularly enough with a compact camera to deal with the faff to set it up. It’d be great to see an option for emailing/uploading directly from the camera – as you can from the Samsung Galaxy Camera - and the ability to connect to computers as well as smartphones.
Existing users of Nikon cameras will be at home with the menu structure – much of which is easy to navigate and is fairly intuitive. There are some features that are perhaps located in an odd place on the menu structure, such as the info display options, which are buried deep within the settings menu. Overall though the Nikon S5200 is fairly simple to use, and it shouldn’t take long to become comfortable with it.
Nikon Coolpix S5200 review: Performance
Basic image quality seems to have improved from the Nikon Coolpix S4300, and for the most part the Nikon Coolpix S5200 performs well in a variety of situations, producing bright, well represented colours and crisp, focused detail shots, particularly when the macro feature is enabled.
The majority of the digital filters are useful and add an interesting look to the photos, although the painting and soft filters don’t really seem to do what they’re suggesting, looking more washed out than anything else. Of course using filters is a personal preference, making them worthy of experimentation.
We were impressed by the Nikon Coolpix S5200′s image stabilisation. It captured moving subjects well, making it a great camera for capturing off the cuff moments as well as posed and set up shots.
The LCD screen coped admirably in sunlight, only becoming difficult to use in the brightest light, and when not using the camera too heavily (perhaps a couple of hours a day) the battery power lasted for a few days of shooting and filming before needing to be recharged – making it a good choice for the casual holiday / family photographer.
Some of the photos taken in bright light suffered slightly from lens flare. In terms of fringing there was very little. When zoomed in at 100% there is a little smudging in some areas, but they’re not visible at normal printing and web sizes.
During testing we found that metering sometimes struggled in high contrast scenes. To get the best results, a reading needed to be taken from one part of the scene (by half-pressing the shutter to focus) and recomposing to get the desired scene. Overall, though, it does a good job in providing well-balanced exposures.
The HD video output is impressive, providing sharp, crisp video, although noise from high winds is too much for the wind noise reduction to cope with. You can also shoot video while in the Special Effects modes, which is a nice touch.
The autofocus speed of the Nikon Coolpix S5200 is good and the action slick. The shot-to-shot time when shooting in continuous mode is also relatively brief, making it easy to capture moving objects.
Images taken at the far end of the 6x optical zoom are impressively sharp, and while the digital zoom does lose some definition, it still performs well, with vibration reduction helping to keep photos sharp.
One area in which the Nikon Coolpix S5200 is letdown is its performance in low light on auto mode. Its automatic sensitivity settings in low light shooting conditions tend to err towards higher levels, such as ISO 1600 and ISO 3200. However, using the fixed range auto mode should help to combat this, because it offers a choice between ISO 125-400 and ISO 125-800.
While reasonable when viewed at smaller sizes, shooting at the higher end of the sensitivity range creates very noisy images with flat colours, and is best avoided if possible.
Sensitivity and noise images
Full ISO 125 image, see the cropped (100%) versions below.
ISO 125, score: 22
ISO 200, score: 22
ISO 400, score: 20
ISO 800, score: 18
ISO 1600, score: 16
ISO 3200, score: 12
Nikon Coolpix S5200 review: Verdict
The Nikon Coolpix S5200 is a decent update to the Coolpix range and will suit people looking for a camera without too many confusing options.
We liked
You’re unlikely to miss many shots, since the shot-to-shot time on the Nikon Coolpix S5200 is good, enabling you to capture a range of images easily and effortlessly. The video footage is some of the best quality we’ve seen for a camera in this range.
We also liked the quick editing option from the playback menu, giving you the choice of applying the digital filters post-capture.
We disliked
The record button seems unfortunately placed, and it was hit by accident several times without realising, draining the battery considerably.
There are no individual settings to control shot information (such as shots remaining, exposure and so on), so you either have it on while shooting as well as during playback or not on at all. It would be nice to see a setting to tailor this, since seeing the information on the screen during playback becomes a little distracting.
Final verdict
Ideal for travel, because of its durability and easy charge options, the Nikon Coolpix S5200 performs well in a variety of everyday situations. It would be a good camera to consider if you’re looking for an all-rounder that isn’t going to break the bank, especially if you want to capture good quality video footage.
If you’re specifically looking for a Wi-Fi-enabled camera, however, it might be worth spending more money for something offering more flexibility, such as the Samsung Galaxy Camera or Panasonic TZ40.
Via Techradar
Nikon Coolpix S5200 review
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